Crossley argues that music is a form of social interaction, interwoven in the fabric of society and in constant interplay with its other threads. Musical interactions are often also economic interactions, for example, and sometimes political interactions. They can be forms of identity work, for both individuals and collectives, contributing to the reproduction or bridging of so...(展开全部)

本書作者安德依．馬金尼，以《法蘭西遺囑》榮獲一九九五年法國龔固爾獎和梅第西獎，是史上第一位同時獲得這兩大文學獎肯定的非法籍作家。 這本有著如詩般節奏的《生命的樂章》，是他的最新傑作，內容如歌如泣，讓人不忍釋卷。

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this mo...(展开全部)

【作者简介】 奈杰尔·多德（Nigel Dodd，1965—2022），伦敦政治经济学院社会学系教授，主要研究领域为货币社会学、经济社会学、古典和当代社会思想。主要著作有：The Sociology of Money：Economics, Reason and Contemporary Society（1994），Social Theory and Modernity（1999），The Social Life of Money（2014）。 【译者简介】 陈玉佩，北京大学社会学博士，陕西师范大学哲学学院社会学系讲师。主要研究方向为社会变迁下的劳动、家庭与性别，尤其关注劳动价值的社会建构。

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to Alexander’s approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. He uses this mo...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

In this book Jeffrey Alexander develops the view that cultural sociology and “cultural pragmatics” are vital for understanding the structural turbulence and political possibilities of contemporary social life. Central to his approach is a new model of social performance that combines elements from both the theatrical avant-garde and modern social theory. Alexander uses this mod...(展开全部)

May 24, 1941: Alexei Berg, a classical pianist, is set to perform his first solo concert in Moscow. But just before his debut, his parents -- his father a renowned playwright, and his mother a famed opera singer -- are exposed for their political indiscretions and held under arrest. With World War II on the brink, and fearing that his own entrapment is not far behind, Alexei fl...(展开全部)